Wednesday, March 25, 2009

malinky: flower & iron




Flower & Iron


An old story, a new melody, a change of wording here and there to make the tale of a lovers’ conversation clear in the twenty first century -- those all set the scene in Pad the Road wi’ Me, the opening track on the Malinky’s latest album, Flower & Iron. It’s a fair representation of what they do as a group, as well --listen well to older songs, hear the melody and words clearly, and sing and play them in ways that stay completely true to the Celtic traditions from which they spring while being as fresh and conversational as a conversation with friends over the morning paper. The Scotland based group has been at this, with some line up changes, for ten years now, and this latest release finds them bidding fair for even better things as they start out on their second decade. Steve Byrne and Fiona Hunter hold the conversation in Pad the Road wi’ Me, and in addition to singing each brings creative instrumental skills to the group as well. Hunter is a cellist, and Byrne, one of the founding members, plays guitar, bouzouki, and several other instruments. Mark Dunlop, also a founder of the band, plays bodhran, whistles, and flute, and also sings, as do the the two newer members of the group, Mike Vass who plays fiddle and guitar, and Dave Wood who plays guitar and bouzouki.

That sounds like a lot of strings, you might think, and that’s indeed so -- the creative interweaving of all that is part of Malinky’s distinctive sound. Their song selection and arrangement here is creative, edgy, and thought provoking, too, all while in service to the tradition. There’s a lively instrumental set called Cows and Cottongrass, and a striking anti war song told from the view of a soldier’s children, called When Margaret was Eleven. Irish songwriter Liam Weldon is the source for Dark Horse on the Wind, which considers the human cost of politics from another perspective. It’s not all politics by any means, though, it’s just politics as a part of lives lived out. Those songs stand among twelve tracks next to that opener, where a man tries to persuade a reluctant woman to join her life with his. They all make a path to the closing cut, a gentle and very Scottish sounding song called The Road to Drumleman, which is a poem by Willie Mitchell set to to music by Tony Cuffe. The project was recorded by Jamie and Julia MacLean, and their dad, Dougie, writer of Caledonia among other songs, adds digeridoo to one track.

you may also want to see
Tammerlin: No Small Thing
Songs of Homecoming, to Scotland and other places

Matt & Shannon Heaton: Fine Winter's Night concert

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Saturday, March 21, 2009

Patrick season: another song

Patrick season is a time when many who are not Irish think of Ireland, and those who are, how ever close or distant their ties may be, think often of home, and family, of landscape, of change, of music, and of hope and courage. Those thoughts are well needed in the world this Patrick season, as ever, and as ever, music from the tradition and newer music from Ireland both have things to say that work with all this.

music to go along with these ideas




you may also want to see

Reflections with Mary Black
ceol chairlinn: sharing music in winter
and it is not Irish, but still --
now playing: Angels Unaware

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Tuesday, March 17, 2009

Absolutely Irish


Absolutely Irish

One of the things about how a session works is that tunes are rarely played the same way twice, or song verses or choruses sung exactly the same way. Makes sense, when you think about it, as there is more than one musician in the room (classical musicians may throw flames now if they wish...dodging). Both those points make recording of music played as sessions problematic at times. A recording of anything is a snapshot, and things at a session move both quickly and with subtlety. There’s also a lot of connection expressed through music which goes beyond the notes. All that said, the musicians and the engineers and producers of the CD Absolutely Irish get at the substance of all this and present the music so crisply and clearly you’d think you were in the room. This is helped along by the top class musicians who are playing, many of whom have worked together in varied connections over the years in the swirling scene of Irish and Irish American music centered in New York City.

There are fifteen tracks, some sets of tunes, some songs. It’s a varied lot. A standout among the tunes is a set which includes Before the Storm, The Black Rogue, The Lass of Ballantrae, and The (Other) High Reel, jigs and reels that say much about the history of Ireland without saying a word. The players of that are fiddler Liz Carroll, guitarist John Doyle, and flute player Joanie Madden. The level of talent in the other players on the recording is equally high. Among them are singers Karan Casey, Robbie O’Connell, and Susan McKeown, fiddler Athena Tergis, keyboard player Brendan Dolan, box player Billy McComiskey, and fiddler Eileen Ivers. If you are familiar with Irish music you’ll know their names and their work. If you’ve yet to meet all of them, this recording is a fine place to start. All join together to good effect in the closing song, The Leaving of Liverpool, drawing the strands of the music together. The liner notes contain information about each musician and their other recordings, so you may easily follow what interests you most.

you may also want to see

Athena Tergis : Letter Home

John Doyle: Wayward Son

Liz Carroll & John Doyle: Double Play

Voices: Joanie Madden of Cherish the Ladies

karan casey: beat of my heart video

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Monday, March 16, 2009

patrick season: from Mary McAleese


Mary McAleese, President of Ireland, offers her thoughts for Saint Patrick's Day 2009


Beannachtaí na Féile Pádraig ar chlann mhór dhomhanda na nGael, sa bhaile agus ar fud na cruinne, ar an lá náisiúnta ceiliúrtha seo.

Warmest St Patrick’s Day Greetings to everyone taking part in this happy festival celebration, in Ireland and around the world. This is our time for showcasing the spirit of the Irish through our wonderful culture and heritage, our gift for friendship and our love of life. We will gather in both the most obvious and the most obscure of places under the patronage of St. Patrick, a man, an immigrant to Ireland whose life was one of outrageous hardship and outstanding endurance. The chances are that wherever the Irish, and their neighbours and friends gather this St. Patrick’s Day they will be making a very determined effort to find joy in adversity and a moment of distraction from serious economic and financial worries that face our country and our world.

St Patrick’s own personal story is one of facing into huge difficulties and hardships, not of his own making. His coping skills were sorely tested. In the Deer’s Cry, the beautiful poem attributed to him he says, “I arise today, through a mighty strength”. We have our own mighty strength, in the goodness, decency and hard work of so many individuals, in our uniquely strong and robust sense of community, in our history of overcoming hardship, our culture of welcome, our investment in peace and in our ability on St. Patrick’s Day to be family to one another from Beijing to Bahrain and from Belfast to Bantry. We know that our patron saint would encourage us to work with each other, for each other and work through these difficulties to a better future for everyone.

Behind every St. Patrick’s Day gathering wherever it is in the world there is a story of men and women who came together to celebrate being Irish, whether by birth or by association. They are part of a generations old tradition of volunteering help to one another, and of being community to one another. I thank all of them for the many ways in which they bring such noble and life-enhancing qualities into our world
and for the fun, enjoyment and happy memories they help create for us through St. Patrick’s Day 2009.
To each and every one of you, I wish a wonderful St. Patrick’s festival. Enjoy every moment of it and may the spirit of St Patrick be with you and your families on this day and every day. May that mighty strength be yours as it was his.



MARY McALEESE
PRESIDENT OF IRELAND

you may also want to see

Irish music, Irish landscape
Potato Music
patrick season: thoughts for patrick's eve

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patrick season: far from home

Longing for home and being far away from it are constant themes in Celtic music. Sometimes, those are written by people across the sea, and sometimes by people who have just moved a bit down the road. It is a longing shared, though, for well known and well loved faces and the places which bring them to mind.

This is an idea which, though it sometimes gets blurred in the leprechaun hats and green beer, is a major subtext of Saint Patrick’s Day celebrations. Two songs which get to the heart of the joy and sadness mixed are In My Dreams from Rosheen on musique celtique and I'm Going Back from Cathie Ryan on The Music of.What Happens.


you may also want to see

Potato Music
patrick season: thoughts for patrick's eve
Songs of Homecoming, to Scotland and other places

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music of Donegal: Altan


Local Ground


Donegal is in the far northwest of Ireland, a land of mountain and water, and one which shares more of its borders with Northern Ireland than with the Republic. Going back in history, it has been a place with many close connections with Scotland, and an area where Irish is often the first language. All those influences have come into play with through the music of the area, producing varied and distinctive styles of melody and song, and musicians who are not afraid to mix up genres and styles to get their points across.

The band Altan is one of the best known and most highly regarded groups of musicians from Ireland’s northwest, attacking tunes with fire and vigor at one moment and turning in haunting ballads the next. That is, in fact, reflective of of both the landscape on the history of their native place. Local Ground is a recent recording, which includes songs in both English and Irish, a crossing the waters American folk song Adieu My Lovely Nancy, a jig from early 20th century Donegal fiddle master John Doherty, one learned from modern Donegal born fiddle giant Tommy Peoples, several original tunes, and a close with a lullabye gently sung in Irish, Dun Do Shuil, Close Your Eyes.


As you are thinking about St. Patrick and lreland, here ia video to go along. celeberating Ireland's far northwest, a place where Irish and Scottish music, landscape, and isolation have united over the years to form a music with its own voice.

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Wednesday, March 11, 2009

thinking about singing


Not long ago, Shannon Heaton, who makes her living playing and singing music, wrote a post in which she considered looking at music structurally, analytically, in preparation for performance, and then getting into the fearless moment of peforming, and came up with a memorable image about that, too.

I've found myself thinking about singing in the same way but from a different place . I was at a pair of good singing sessions recently and really wanted to offer a song, but didn't, stayed with singing harmonies. That was fine, but I really wanted to join the conversation by sharing a song or two. Not sure where that will lead, but as that sort of welcoming situation usually occurs for me when I'm in Ireland and Scotland, maybe I have a bit of time to sort that out. Or not.



you might also want to see

Matt & Shannon Heaton: Fine Winter's Night concert

thinking about sessions

Songs of Homecoming, to Scotland and other places

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The Clancy Brothers and Tommy Makem at Carnegie Hall


The Clancy Brothers and Tommy Makem In Person at Carnegie Hall



Saint Patrick’s Day forty six years ago: in March of 1963, John Kennedy was in the White House in America, the folk music revival was in full swing, and in Ireland, nobody had heard of Bloody Sunday or the Trubles. The Clancy Brothers and Tommy Makem played Carnegie Hall. The men fro Carrick on Suir and the bard of Armagh found a happy, receptive audience for their songs, stories, and well planned banter. They were, you might say, the Riverdance, High Kings, and Celtic Women of their day all rolled into one, and indeed without the Clancys none of those mega quick hit on Irish culture events may have come to pass. Today it is sometimes forgotten what these men did , and how creative they were about it. “They were kind of innovators of Irish music in the sixties,” Donal Clancy, son of youngest Clancy Brother Liam and himself a professional musician, says. “They blended the old Irish folk song with what they were hearing in America at the time from the likes of the Kingston trio, and put a beat behind it, and added guitar and bass and banjo to some of the old traditional songs.” It was a sound that became as popular in Ireland as it was in America, as well.

This two disc project is the first time the entire 1963 concert has been released on record, though a wildly popular LP comprising eleven songs came out later in that year. This time around, though, there all the twenty eight songs in the order sung, as well as the talk and jokes and tales the men told between the songs, and the audience’s laughing appreciation of words and music. Times have changed, music has changed, and many of the songs that were so crisp with new arrangements then have been overdone and overlistened since But. as Liam Clancy writes in the notes, “How fresh these songs were then -- morning bread from the oven -- new lamps for old, making their magic.” That comes through very clearly here, on songs including Irish Rover, Kelly, the Boy from Killane, Galway Bay, and Brennan on the Moor.


two videos, from a PBS special in 1962, to go along

They did not sing Rising of the Moon on that night, but it’s a song I’ve known so long I don’t remember not knowing it. Oro Se Do Bheathe Bhaile, a song of hope, among other things, is what closes the collection on this project, and you may hear the audience singing along there, as the people do in this video.





you may also want to see

Voices: Cherish the Ladies

Aoife Clancy: Silvery Moon

Irish music, Irish landscape

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Tuesday, March 10, 2009

Ireland, north and south

News of violence in the North of Ireland comes in these recent days. Things are in a better situation, politically, now than in the past, but killing and loss and grief are no ways to build a lasting peace. Tommy Sands, who is from Rostrevor in Down, wrote There Were Roses, which Cara Dillon, who is from Dungiven in Derry, sings in this video. They both got it right.



you may also want to see

ten songs
ceol chairlinn: sharing music in winter
Tommy Sands: Let the Circle Be Wide
Radio Ballads: Northern Ireland
story about recent events in NI, from the Scotsman
a more hopeful story, from the Belfast Telegraph

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Wednesday, March 04, 2009

Liz Carroll & John Doyle: Double Play


Double Play



Liz Carroll is an Irish American fiddle player who has written and played with such originality and grace that many of her tunes have become standards for fiddle players around the world. John Doyle is an Irish born guitarist who now lives in North Carolina and makes the music of seventeenth and eighteenth century Ireland so vibrant it might have been written yesterday -- when he’s not touring with Joan Baez, playing with his old band mates in Solas, or backing up a roster of top talent in the studio and on the road..

Some years back, these two formed a musical partnership that has seen them lighting up stages across the world. Their musical conversation rages from the fiery to the contemplative, and their repertoire from the tradition to the newly composed. Double Play is the duo’s second CD together, twelve sets that keep on with that mix of old and new, and with that always stellar connection bewteen the instruments. Collaboration is one of the best and most graceful things about playing music, especially apparent here in the set Lament for Tommy Makem. Within a Hen’s Kick, and The Slippery Slope, all composed by Carroll, which goes from contemplative to reel in a way Tommy would have enjoyed. Another fine set is the fast paced mix of old and new in Paddy Glackin’s Trip to Dingle, On theLam, The waves at Dingle, and The Top of the Stairs, a musical trip from west Kerry to Chicago and back again. Every set is a keeper, though, in a well chosen program that allows them to unfold together and tell a story in that unfolding.

update, December 2009 ***congratulations to John, Liz, and all involved on the Grammy nomination for this album***

you may also want to see
hanneke cassel

season of change: music for autumn


late summer: two for the road

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Tuesday, March 03, 2009

Liz, John, Barack, and Brian


Fiddle player Liz Carroll and guitarist John Doyle are entertaining President Barack Obama at the annual St. Patrick's Day luncheon at the Capitol Building in Washington, D.C. The event is hosted by Speaker of the House, Nancy Pelosi, and among the guests is the the new Taoiseach (Prime Minister) of Ireland, Mr. Brian Cowen.

coming soon here on Music Road, a review of Liz and Johnn's new CD,
Double Play


you may also want to see
Music Road: thinking about sessions

Music Road: Songs of Homecoming, to Scotland and other places

Music Road: Tommy Sands: Let the Circle Be Wide

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Carrie Newcomer: faith and laughter


A song about a woman who steps up with courage and finds that her neighbors join her, one about living through dark and lonely aspects of night and reaching the hope of a new dawn, a many faceted look at how art, life, and faith intersect in not always predictable ways, a tap your foot snap your fingers re imagining of some New Testament stories, and a look at e mail gone astray -- all of these form part of the music on Carrie Newcomer’s latest album, The Geography of Light..


It’s an album that pushes the boundaries out a bit father, both musically and lyrically, for Newcomer, who has always been known for her thoughtful writing and distinctive alto voice. “I had a very intensive tour to go along with the album release, very demanding, but very exciting, and all over the country. Great folks and I’m really...” Newcomer paused to find the right word, “...grateful. People are singing along with the lyrics -- different parts of different songs, too -- and there’s no better gift you can give a songwriter than to take a song and make it your own like that, to sing along with it. I’m just incredibly grateful when that happens, because it seems like the song is more than me, you know, that it has gone beyond me, which is the whole goal of the songwriter. Different songwriters have different ways they go about that, but the goal is communicate, to connect in a way that’s greater than the person who wrote it.”


Newcomer is based in Indiana, which is where she grew up. “I think there’s something very midwestern about my songs, about the way I approach writing,” she says. “And I have this great job that lets me travel from the deserts of the southwest to the autumn leaves of the Berkshires, and then come back home to my house in the woods, my sweetheart -- and my dogs!” Another thing that grounds Newcomer’s work is her faith. She is a Quaker, a faith she came to as an adult. ” I really do hold to that Quaker idea of let your life speak, of finding what is the truth of your life, what gives you joy, what is really true for you, whether that’s song writing, or being an accountant, or whatever,” she says. “Sometimes it takes time to recognize that, but it’s incredibly powerful when you do.”


This Newcomer’s eleventh album on Rounder Records, more spare in instrumentation and more poetic and probing in lyric than her earlier work, but not so much a departure as a next right step. There’s a lot of spiritual context to the album, “and I’ve been fascinated by the kinds of response I’ve encountered to that,” she says . It’s not a new direction for the artist, but she’s been seeing a change in how her listeners take this aspect of her music. “I think folks are really thinking about authentic living. They are thinking a lot about the good questions. They don’t want anybody to give them really easy answers, but they want to explore the questions,” she says.


One of the songs on The Geography of Light is There is a Tree, a powerful meditation on trust and on what it is like and what it is not like to be called to be an artist, framed in images both everyday and mystical. There a song about coming face to face with repeating old mistakes, called You’d Think by Now, and one in which the singer contemplates the edges of light and dark in life, Map of Shadows. There’s also a song called Geodes. Geodes are those unassuming rocks, dusty brown on the outside, with crystal patterns and hues of all sorts hidden within. They are plentiful where Newcomer lives in southern Indiana.


You can’t always tell one from another


And it’s best not to judge a book by its tattered cover


I have found when I tried or looked deeper inside


What appears unadorned might be wondrously formed


You can’t always tell but sometimes you just know


Newcomer sings in the first verse. “There's a lot going on in this album,” she says, “but if I had to choose just one song, I think Geodes is the most indicative of it. Because that’s Carrie’s statement of faith in a nutshell.”


There’s laughter, grieving, anger, searching, connection, pain, questioning, mistakes , forgiveness, and creation, among the things going on in The Geography of Light. It’s both a welcoming album and one for those who are willing to be challenged by the music they listen to. There’s plenty of space for the listener, because for Newcomer it is about connection and communication, while being true to who she as an artist. “ My faith, my spiritual path, is an important part of who I am, of how I walk in the world, so it has to come out in my music,” she says, “ but a Christian record label wouldn’t touch what I do with a ten foot pole. It’s way outside their parameters.”. She knows, too, that both music and faith are part of the continuing journey. “I can say things now that I could never have said when I was twenty five. I had perfectly valid things to say then, but I’m in a different place now. I really feel as though I’ve found my writer’s voice since I turned forty. And I hope I’m still saying that sort of thing when I’m eighty, you know -- that I was so clueless back when I was fifty eight, or sixty two,” Newcomer said, laughing.


Along the Music Road, our conversation with Carrie Newcomer will continue, with more the workshops Newcomer teaches on arts and activism, writing, and vocation, and on a project she’s been involved in lately that has to do with the history of the Ohio Valley. Her tour schedule and other information may be found at carrienewcomer.com.


you may also wish to see

video of that song about e mail

Music Road: creative practice: laughter

Angels Unaware

a bit about one of Newcomer’s earlier albums, The Age of Possibility in this article

late summer: two for the road


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