bluegrass: Claire Lynch
Love songs, songs of the road, vivid tales from history, stories of family, of change, of choice: you’ll find all of those things in the music of Claire Lynch. Lynch bases her work in bluegrass, and does that so well that she’s received a number of awards in the genre. In that high lonesome sound Lynch finds inspiration rather than limitation, though, branching out from that base to explore aspects of country, Celtic, swing and folk ideas in the songs she chooses and the songs she writes -- and she does that so well that she’s recently been honored with a prestigious United States Artist Fellowship . Before all that recognition, though, her peers knew Lynch was worth paying attention to. Kathy Mattea, Patty Loveless, and The Seldom Scene are among those who have been drawn to record Lynch’s songs. Emmylou Harris, Linda Ronstadt, and Jesse Winchester are among those who’ve asked her to add her voice to their projects.
Take a listen for a moment to the song Kennesaw Line and you’ll readily hear why this is so
Co writer Louisa Branscomb’s three times great aunt saved letters her brothers had written to her during the Civil War, letters which provided the spark for the title track of Lynch’s most recent recording, Dear Sister.. There’s a country blues tinge to the story of loves ups and downs in How Many Moons, and full on bluegrass rules Buttermilk Road/The Arbours. Lynch’s cover of That Kind of Love, written by Pierce Pettis, adds new dimension to an already reflective song. Through the album, Lynch’s clear soprano and thoughtful phrasing are well supported by her regular band mates Mark Schatz on bass, Matt Wingate on guitar and mandolin, and Bryan McDowell on fiddle. Musical guests include Tim O'Brien vocals nd bouzouki and Alison Brown on banjo. It is Claire Lynch’s voice which defines the music on Dear Sister, though.