Homecoming Scotland: music

This is the year of Homecoming Scotland. The land of highland, heather, and sea invites the world home to celebrate the 250th anniversary of the birth of poet and song collector Robert Burns, and the many other fine things about Scotland and its people. Here are several Scottish musicians you’ll want to get know along the way: Kathleen MacInnes is a singer and songwriter from South Uist in the Outer Hebrides off Scotland’s northwest coast. When you follow this link, you’ll get to hear her sing a song in honor of her dad and see some great photos of the Hebrides as well. Mary Ann Kennedy is a gifted clarsach player, singer, and producer. She had in mind a project to celebrate men who sing in Scots Gaelic, and that resulted in a fine album called Mary Ann Kennedy & Na Seoid. If you really want to hear the stories and landscape of Scotland, this is a place to listen, whether you speak Scots Gaelic or not. You don’t have to know Scots Gaelic to appreciate the work of Sarah-Jane Summers, either. Originally from Inverness, this talented fiddler and teacher explore intersections of Nordic and Scots music as part of the group Fribo. Nesta is her debut solo album, a journey to the highlands and north lands both melodic and lively. Malinky is a long running Scottish band who balance singing with playing, English with Scot Gaelic, and fast paced tunes with gentle ones. Their latest album, Flower & Iron gives a fine taste of all that. you may also want to see an exhibit about the Scottish diaspora at the National Library of Scotland, on through October, with letters, diaries and other items showing the story of Scots who settled around the world. there’s more about that at the library’s web site, too. Music Road: Songs of Homecoming, to Scotland and other places Music Road: Celtic Colours 2009 on the way Music Road: Homecoming Scotland Music Road: tuning up for Burns Night: four Scots musicians

-->Your support for Music Road is welcome and needed. If you are able to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

Sarah-Jane Summers: Nesta

Sarah-Jane Summers
Nesta


Sarah-Jane Summers evokes the voices of the north in her playing. Sometimes that’s the voice of the Norwegian Hardanger fiddle. At other times it’s the voice of Inverness, where the fiddler grew up and learned her first bits of music. And at one point, there’s even the sound of a Tibetan singing bowl added in. Summers, whom you might know from her work with the nu Nordic band Fribo, has the gift of creating really eloquent and clear images through her music, whether she’s offering tunes she’s written herself, ones she learned growing up in the north of Scotland, or music from her contemporaries including Jenna Reid and Charlie McKerron. It’s a well thought out, well sequenced collection that shows both the power of her imagination and the sureness of her technique. Notable sets include Guddlin’ in the Burn and Athole Brose, but every track is well worth your listening.

you may also want to see

Music Road: now playing: Hanneke Cassel and Christopher Lewis: Calm the Raging Sea

Music Road: Celtic Connections 2009 on the way

Music Road: Dochas: An Darna Umhail/ A Second Glance

Season of change: music for autumn 2008

It’s coming up on autumn here in the northern hemisphere, a season of transition from the abundance and openness of summer to the sometimes solitary and focused work of winter. Autumn holds aspects of both those seasons within its time and its changes: there’s sometimes an edge of chill in September winds, and October often brings Indian summer, warm days framed in the blazing changes of fall colors. What sort of music goes along with all that? Here are several ideas.

Sarah-Jane Summers

Nesta
Sarah Jane Summers is from Inverness, in the Highlands of Scotland, where she first learned to play the fiddle. That Highland background comes out in her work, whether she’s playing the violin or the Hardanger fiddle, which is common in Nordic music. The baker’s dozen of tracks here move naturally among traditional Scottish music, music from Norway, original tunes, and pipe tunes set over to the fiddle, as well as music by the likes of Summers’ peers Jenna Reid and Charlie McKerron. It’s a lovely journey, from The Happy Hardanger through the Guddlin’ on the Burn set to Spike on a Bike and Urban Trad. Summers’ band mate from the Nu Nordic group Fribo, Ewan MacPherson, adds guitar, while cellist Barry Phillips, Paul Jennings on percussion, and Liz Knowles on fiddle are among those join Summers for the recording.

Duncan Chisholm
Farrar
Duncan Chisholm is also from the north of Scotland and one can fairly hear the wind and sea in the music here. Some of it is original music, there are Gordon Duncan tunes set over to the fiddle, a piece composed by flute player Michael McGoldrick and one by piper Fred Morrison. It’s been a while since Chisholm’s last solo album -- he’s been working with singer and writer Ivan Drever, among other things, and touring with Gaelic singer Julie Fowlis. It’s great to hear him on his own, in a set that opens up the ideas of mist and mysteries. Standout cuts include that Fred Morrison tune, Farewell to Uist, paired with McGoldrick’s Glenuig Bay, and Chisholm’s own The Farley Bridge.





Hanneke Cassel and Christopher Lewis
To Calm the Raging Sea
Hanneke Cassel is also a fiddle player, an American one. She’s known as much for her fiery interpretation of Scottish and Cape Breton tunes as for her wildly original compositions inspired by such things as the Boston Red Sox . Here, she joins up with guitarist Christopher Lewis on a collection of hymns, some familiar and some less so, which show that she is able to handle gentleness as well as she commands fire. More about that here

Carrie Newcomer
The Geography of Light
The idea of change is one of the constants in the latest release from American singer and songwriter Carrie Newcomer. Other threads which run through the music here include questions of faith and doubt, mystery and hope, and images from Newcomer’s native Indiana landscape. There are songs set in the history of that landscape, one that rethinks the idea of judging a book by its over, and one that’s a real insight into what it is, and is not, like to be called to be an artist. That song, called There Is a Tree, is an outstanding cut, as are Map of Shadows and The Clean Edge of Change. In addition Newcomer has one of the best voices in folk music, or any music for that matter. More about all that here.

Doris Rougvie
My Joy of You

You can’t help but be invited in to the warm and welcoming presence of Doris Rougvie’s voice on the title cut, My Joy of You, with which she opens this collection of songs,. Many of them are favorites which she’s often asked to sing at festivals across her native Scotland, and especially as she hosts song sessions at The Celtic Connections Festival each winter. The fourteen tracks range from the lively and funny Lassie of Fashion, which she wrote with Hugh Hoffman, to the traditional ballad The Great Silkie of Sule Skerry. Rougvie’s take on what’s fast becoming a folk standard, Karine Polwart’s Follow the Heron Home, adds another graceful insight to that song, as does her thoughtful interpretation of the emigrant's return song Farewell Indiana.




Emily Smith
Too Long Away
Singer and songwriter Emily Smith opens her latest recording catching a moment of a summer evening in Sunset Hymn and closes it preparing for the lessons of winter in Winter Song. Along the way she introduces the feisty [and dangerous] May Colven and the equally dangerous Mermaid of Galloway, both subjects of traditional songs, adds a lively sea voyage in Caledonia and an unexpected, reflective conversation in Audience of Souls. More about this varied and thoughtful collection here.

-->Your support for Music Road is welcome and needed. If you are able to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

Another way to support: you could