Friday, November 05, 2010

music and change

kathy mattea belcourt copyright kerry dexyer
big pond crb copyright kerry dexter
transatlantic sessions 4 copyright kerry dexter
Have you ever walked into a room where you knew your life was going to be changed by the time you came out?

That was a question I came across whilst reading a letter from a motivational speaker promoting an event. My thought was, that’s what I expect each time I go to see live music. It is not always what I am focused on , but for me that's part of what I am open to.

It might be a gig by an old friend, or perhaps someone new to me, or maybe someone I’ve heard on record but not seen live. There is something about being present when an artist is making music on the spot, though, that invites that -- with the sort of artists I introduce you to here along the music road, anyway.

What do you think?

these photographs were taken in Nashville, Cape Breton, and Glasgow

you may also wish to see

about listening.
Music Road: Another Fine Winter's Night: Matt & Shannon Heaton

and Delicious Baby's Photo Friday, where travelers offer new insights to the world each Friday

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posted by Kerry Dexter at 5 Comments

Friday, April 16, 2010

National Music Day Ireland

This is a day marked out to celebrate live music all across Ireland.
It's also the actual date of the anniversary of the Easter Rising in 1916.
With both those ideas in mind, here are images of Irish musicians at work, and a few suggestions of music to go along.








Music Road: Altan: 25th Anniversary Collection
Music Road: exiles return: karan casey & john doyle

Music Road: Cathie Ryan: Songwriter
Music Road: Lovers' Well: Matt & Shannon Heaton




you may also want to visit Delicious Baby's Photo Friday, where travelers offer insights to the world through photographs each Friday

and
our Irish Music store at Amazon.com



a reminder: these and all images on Music Road are copyrighted, and may only be reproduced on the web and elsewhere with specific permission to do so.

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posted by Kerry Dexter at 6 Comments

Friday, April 09, 2010

a hundred years ago


A hundred years ago, most of the music people heard was live. They made it themselves, or their neighbors did, in parlor or front porch or church or kitchen. They went out to see someone play music, they listened and sang and played in pub or club or school room, as they worked and at home. A recent study shows that now, less than one per cent of the music most people hear is heard live. That may be unlikely to apply to many who travel here along the music road. Still, it’s an idea to think about.


Music to go along with this

Music Road: darwin song project
Music Road: wilderness plots
Music Road: ceol chairlinn: sharing music in winter

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posted by Kerry Dexter at 4 Comments

Tuesday, December 23, 2008

Del Suggs & Pierce Pettis: Almost Christmas concert



It’s a north Florida holiday tradition that’s been more than twenty years in the making: singers and songwriters Del Suggs and Pierce Pettis join up for a night or two of song called It’s Almost Christmas. It’s that in more ways than one, occurring somewhere from early to mid December, usually, and including sets of current music by the two men, old favorites revisited, and, for the second half of the show, some really original arrangements of familiar holiday songs, along with original songs of the season. This year the concert took place at The Warehouse, an informal venue in Tallahassee, Florida, where the tables were lit by flickering candles with bits of evergreen around, and the stage was hung with strings of holiday lights.

Danica Winter, one of the musical friends who joins Pettis and Suggs for the gig, remarked from the stage that it was so good to come out every year to do the show and see a mix of people who’d come out every December along with first timers at the festivities. She could have been describing the song selection, too. Suggs, who is one of the best known and best loved performers on college campuses across the US, and Pettis, who records his own songs, tours internationally, and writes material that country and folk artists have covered always have stories as well as song up their sleeves, too, and many was the tale they shared this December night, going all the way back to explaining how the two met while auditioning for a campus coffeehouse gig at Florida State University twenty five years ago -- a gig that neither of them got.

Suggs was thinking back to that time during his set. He recorded his first album not long after, and he’s recently re released it on CD. Hurricane’s Comin’, a song based in his growing up in he Florida Panhandle, was his opener, along with a funny story about delivering papers as a kid as a hurricane was approaching. Rick’s, Break in the Weather, and Wooden Boat were among the favorites he sang and then Pettis took the stage and to offered a mix of material including the title song from his forthcoming album, That Kind of Love, a cover of Jesse Winchester’s raucous comment on southern speech, Talk Memphis, and Miriam, a song in which Pettis looks for Mary the girl and woman behind the icons and statues that represent her now.

Suggs promised “songs that you might think you know, but then...” as he, Danica Winter, Pete Winter, and David Murphy moved into a set of seasonal songs. He was right -- they kicked off with Silver Bells, a classic holiday sing along, done with just enough of a melodic twist to keep you intrigued, and then Suggs introduced “an eighteenth century rock song,” which turned out to be a rockin’ version of the carol We Three Kings, which band and audience had good fun with. David Murphy offered his original song Christmas Gifts, and Danica Winter added her own jazzy song Santa Bring Me Love for Christmas. I Saw Three Ships, Deck the Halls, and Good King Wenceslaus were among the other songs enlivened by fine singing, great playing, and lots of laughter. The musicians brought things to a close with Silent Night -- but not quite. Suggs had broken a string on his guitar earlier while playing his song Wooden Boat and hadn’t played all the verses. Several people in the audience called out to ask him to play the full version, and that became the fitting saltwater music encore to bring to a close this December’s link in the chain of Almost Christmas concerts.


you may also want to see

Dave Carter & Tracy Grammer: American Noel

Winter Talisman

listening to Christmas

Gretchen Peters: Northern Lights

-->If you'd like to support my creative work,
here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this.Thank you.

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posted by Kerry Dexter at 0 Comments

Sunday, July 27, 2008

creative practice: a hundred years ago


A hundred years ago, it was still true that most of the music people heard was live. They made themselves, their neighbors did, in parlor or front porch or church or kitchen, they went out to see someone play music, they listening and sang and played in pub or club or school room, at work and at home. A recent study shows that now, less than one per cent of the music most people hear is heard live. That’s unlikely to apply to may who travel with me along the music road. But still it’s an idea to think about regarding creative practice.


Music to go along with this: neither of these are direct references to the point above, but I think you may see connections, and I’d be interested if you'd leave a comment about what those are, if you do.


Beth Nielsen Chapman Prism: The Human Family Songbook

Cathie Ryan The Music of What Happens



you may also want to see this post
now playing:wilderness plots

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posted by Kerry Dexter at 1 Comments