Appalachian and Celtic: Kyle Carey: Monongah

The Isle of Skye in Scotland, the west coast of Ireland, the Appalachian mountains, New Hampshire, New York Sate, Cape Breton: Kyle Carey has spent time in all of these places, and one way or another, they all find ways into her music.

Carey’s album Monongah makes it clear she has been thinking about people, history, landscape, and what stories they may tell through time. The title track, for example, comes from the story of the men and the women and the children affected by a 1907 West Virginia mine disaster. Carey began thinking of this upon reading Appalachian writer Louise McNeill’s poem about the events of that time, and the song shows Carey’s gift for distilling emotion into a few brief words and a melody which helps make that essence clear.


McNeill’s poetry and the landscapes of the southern mountains come up again through the album. Carey has a voice well suited to this, with a warmth that invites the listener in and a sense of phrasing that hints that there is more to these stories beyond the verses that she sings. In Orange Blossom, Carey is thinking about that train which is the subject of a well known bluegrass tune, but her protagonist sees the journey on the train as an escape, a return, perhaps, to warmer places and times. John Hardy’s wife takes a look at things from the point of view of a woman who receives just a few passing words in other songs. What was she like, and what happened to her, Carey wondered, and came up with intriguing answers.

There’s a strong connection between Appalachia and the Celtic countries in Europe. That comes up on Monongah, too. Carey is well versed in Scottish Gaelic, and teaches it in fact. She’s spent time studying in Cape Breton in Atlantic Canada, and in Scotland. So it is natural for her to include these experiences in her work, which she does with the song Gaol ise gaol i, a love song she sings in Scottish Gaelic. From Cape Breton comes The Star above Rankin’s Point, a lighthouse keeper's lullabye of sorts which captures the sea swept feeling of life along the North Atlantic.

There a Cape Breton tinge to the playing on this collection as well, coming by way of Cape Breton native Rosie Mackenzie, who sits in on fiddle for several songs. Carey has invited a number of musical friends along on this journey, a journey she took to the west of Ireland to produce the recording with Donogh Hennessy, known for his work with Lunasa. From Ireland also Pauline Scanlon added harmony, and Trevor Hutchinson played bass. Among the others supporting Carey, from Ireland and New England, Aoife Clancy sang harmony as well, and from New York state John Kirk played banjo and mandolin.

It is Kyle Carey's poetic take on story, landscape, emotion, and language which center things here, though, and her engaging storyteller’s way of singing that opens the door to her stories. Gospel twined with Celtic notes, banjo leading into Scottish Gaelic, miner’s stories traveler's tales of loss, change, and recognition, Monongah is a varied journey, one worth the taking.


you may also wish to see
Kyle Carey’s website
Music Road: Aoife Clancy: Silvery Moon
Music Road: Scotland & Cape Breton: tradition and innovation

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Long Time Courting: road trip visits New Hampshire

Long Time Courting is a four woman band which features four equally strong instrumentalists, fine lead singing, inventive harmonies, and music which is based in the traditions of Ireland and includes original music as well as songs and tunes from Scotland, Appalachia, Quebec, and Cape Breton. Fast flying jigs and reels along with ballads and songs with soaring four part harmonies are the group’s trademarks.

It’s not as though any of the four women were exactly at a loss for things to do when they decided to join forces. Guitarist Liz Simmons [who provides the New Hampshire connection here; she grew up in the state and is still based there -- and LTC performs often in the state too] plays in the band Annalivia; Ariel Friedman teaches cello and performs in a duo with her fiddle playing sister Mia; Ellery Klein, for seven years fiddler with the top touring band Gaelic Storm, now teaches in a mother and child music program and is herself the mother of toddlers; and Shannon Heaton, who plays flutes, whistles, and accordion, tours internationally as a duo with her guitarist husband Matt. Founding member Klein will soon be leaving to group to move overseas, and Sarah Blair, top traditional Irish style fiddler who plays often for contra dances with her band The Sevens and also teaches, will join the group.

All that means that the women bring powerhouse musical and creative backgrounds to Long Time Courting. It also means they balance their work in LTC with other demanding commitments. That’s one of the reasons they have not, at this writing, as yet made an album. Their concert tours, mostly in the New England area, are short, focused, and well worth catching. You can find out more about the band and their tour schedule at their web site.

For a taste of what Long Time Courting is like live, check out the video here

photo courtesy of Long Time Courting

you may also want to see

Ellery Klein & Ryan Lacey: Kick into the Beat
Another Fine Winter's Night: Matt & Shannon Heaton
Cherish The Ladies: A Star in the East
Music of Maine: Lissa Schneckenburger

This is part of The Great American Road Trip, in which I originally partnered up with A Traveler’s Library to add musical ideas to the book and film suggestions for journeys through the regions of the United States which you’d find there. The Library is closed now, but I think you will still find the journeys through music interesting.

For more about this (and a look at some great road songs) see Great American Road Trip: Music begins

-->If you'd like to support my creative work at Music Road and elsewhere,
here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this.Thank you.