Thursday, November 17, 2011

Best Music, 2011

This is a time of year for gift lists, shopping lists, and best of lists. star passim cambridge copyright kerry dexter

All the music you meet here along the music road is music of substance, created by artists who care about the musical conversation with listeners, each other, music, and time. It is, as Emmylou Harris once said, music, not a horse race. Still, it’s good to look back across what been said musically in the last year, and to consider what you might enjoy exploring at this time for giving and receiving. India to Indiana, Donegal to Tennessee, Dumfriesshire to Boston,all these places are on the journey through these best recordings of 2011.

Follow the links in the titles of these recordings for longer reviews and links to places where you will be able to hear bits of the music, as well.

Carrie Newcomer had an unexpected chance to do a musical residency in India. A meeting of her Americana and Indiana background with the life of India forms the substance of her album Everything Is Everywhere.

Matraca Berg often writes the songs which country stars make into chart topping hits. It’s been quite some time -- fourteen years -- since she recorded a solo album of her own. The true to life stories told with poetic vision and sung with grace make The Dreaming Fields more than worth the wait.

John Doyle is one who often works behind the scenes, too, playing guitar with artists including Alison Brown, Cathie Ryan, LIz Carroll and Joan Baez. His deep focus on Irish tradition comes out in his album Shadow and Light through songs he has written himself, and it’s fine to hear this aspect of tradition well carried forward. He is also a master guitar player.

Jennifer Cutting draws on Celtic tradition too, for Song of Solstice. With the the songs she composes and arranges for her Ocean Orchestra, she brings in ideas from Shetland, France, and Ireland as well as Americana and folk rock elements. Exploration and celebration of what is to be learned from the winter season is a focus of this fine gathering of music.

Liz Simmons, Sarah Blair, Ariel Friedman, and Shannon Heaton, the four musicians of the band Long Time Courting, each have strong careers with other musical endeavors. Still, they knew that the music they made together called to them in its own right, too. The result is their debut recording Alternate Routes, a collection of songs and tunes in the Celtic tradition well worth repeated listening.

That’s true of all the recordings in this list, in fact.

It is no mean feat to make a live album which carries the essence of connection with the audience in the moment and reaches listeners to the recording clearly enough to invite repeated listenings. That is what Julie Fowlis has done with Live at Perthsire Amber though. Her songs are in Scottish Gaelic, but if that’s not a language you know, listen anyway: you’ll get the emotions of the songs clearly, and there are notes on the stories of the song in English included.

The lively and engaging song The Wedding Dress, in English, opens T with the Maggies. Many of the songs are in Irish, though. If that’s not your language, do not let that deter you; you’ll understand the stories and the fine harmonies and great playing the four women have to offer. After becoming childhood friends through sharing music in Donegal in Ireland's far northwest, Mairéad Ní Mhaonaigh, Tríona Ní Dhomhnaill, Maighread Ní Dhomhnaill, and Moya Brennan each went separate ways into solo careers and work with groups including Altan and Clannad. T With the Maggies is the first time all four have recorded together, and it includes both music from the tradition and songs the women have written.

When she’d include American folk song favorites such as Red River Valley and Shenandoah at her concerts along with her country and Americana hits, Suzy Bogguss saw that everybody loved to sing along -- except the children and young people who didn’t know the words. She decided to make an album to share pieces of this handmade Americana music. Whether you are learning them for the first time or reconnecting with well loved memories. you will likely find yourself joining in with her warm, engaging take on seventeen American classics on American Folk Songbook. These include Froggy Went a-Courting, Banks of the Ohio, and Wayfaring Stranger.

The Unusual Suspects have traditional music on their album Big Like This, too. In their case it comes from the music of Scotland. Under the musical direction of Corrina Hewat and David Milligan, this folk big band, which comprises fiddlers, pipers, accordionists, horn player, drummers, percussionists, harp players and others from across Scotland, turns tradition on its ear while completely respecting too. There’s very fine original music from members of the band along with the traditional music, also. If there’s a person on your list who thinks folk music is stuffy or outdated, any of the recordings here should change his or her ideas on that, but especially this one. It will make a great choice for those who enjoy jazz, as well.

The bright sound of the little fiddle and the dark tones of the big fiddle -- the cello -- are in lively conversation in the hands of Alasdair Fraser and Natalie Haas, respectively, as they travel across the landscapes of Celtic music in Highlander's Farewell. The title track, for example, follows a tune which begins in Scotland and moves across Ireland and over to America, telling its engaging tale all the while.

Emily Smith knows a good bit about travel, as do most professional musicians. Though she often sources material for both songs she writes and songs she seeks out from near her home in the southwest of Scotland, for Traiveller's Joy Smith has taken the traveling aspect of a musician’s life into account as well. There are songs she’s learned on the road as well as ones inspired by her travels.

As you make your own travels this winter season, be they to around the corner or across the world, these recordings will make excellent companions along the road.


you may also wish to see
Music Road: artists of the decade
Music Road: Best Music, 2010
Music Road: holiday gift list: Irish music

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posted by Kerry Dexter at 12 Comments

Wednesday, May 18, 2011

The Dreaming Fields: Matraca Berg

In her song The Dreaming Fields, Matraca Berg walks through her grandfather’s farm, finding memory of brighter days and childhood love, strength and courage and hard work, and loss and grief . The farm will no longer be a farm; it’s being sold off for building lots.

Berg handles all those facts and the emotions that come with them with the heart and hand of a songwriter who knows that songs have their own lives, and that in the joining of ideas, music, and voice there is need for space. Space for the listener, and room for ideas and questions which rarely have neat and tidy and once and for all answers.

Questions and change are themes which run through the album of which The Dreaming Fields is the title track. That will not surprise anyone who has followed the Nashville based writer’s work. Those who have include Patty Loveless, Marina McBride, Kenny Chesney, Trisha Yearwood, and the Dixie Chicks, who have all recorded Berg’s work. Fellow award winning writers and singers Gretchen Peters and Suzy Bogguss, who join up with Berg for concerts they call Wine Woman and Song are two more.

matraca berg dreaming fields coverIn the fourteen years since her last album, Berg has chosen to stay behind the scenes, writing the songs that have earned Grammy nominations, Country Music Association Awards, and induction into the Songwriters Hall of Fame. She has mostly played her songs at the Bluebird and other listening rooms, and with her friends Bogguss and Peters. “I did a tour of the UK with Gretchen Peters and Suzy Bogguss, which I did for the fun of it mostly,” Berg says. “I’d not had a record out in forever, but it seemed like I could go see some cool places with friends, and I was stunned to see lines of people everywhere we went who were wanting to buy my record.” So she decided it was time, and she also decided to make the recording on her own terms, producing the project herself.


The listeners waiting in those lines, and the artists who have recorded Berg’s music over the years, have heard the voices of people who you know have lives beyond the moments of the song, from the bleak reality of the woman in If I Had Wings to the simmering desire of the one in You and Tequila to the wry and telling humor of the conversation in Your Husband’s Cheating on Us. They have heard the deep and vividly rendered honesty of grieving in Racing the Angels and South of Heaven, of holding on to place and home in O Cumberland, and of finding your way through love in A Cold Rainy Morning in London in June. .



Berg is a master lyricist, that’s true, and she’s also a master musician, pairing her words with melody and arrangement that serve the words and enhance them without ever getting in the way. She’s unafraid to be spare about that, too: the title track, for example, is just Berg on piano and John Catchings on cello, to back up Berg’s voice -- and that’s just exactly enough, as she evokes her grandmother’s kitchen, her grandfather working the fields, and rain on the rusted plow.


“Making an album was important,” she says. “ ... not a checklist of singles and themes, but something that was a piece of work where you’re going through a part of people’s lives. I wanted the listeners to pass through those lives, those moments, and understand what was going on, because, like lot of people, I’m in a place in my life where life is a big deal -- a lot of grief, aging people, trying to keep a marriage together, all kinds of family things going on, things you can’t escape because that is life. That’s what life is really made of, and hopefully, this album too.”

The Dreaming Fields is a master class in songwriting -- any sort of writing, really. It’s also just plain good listening. filled with songs that will have you thinking about their stories long after the music is done

follow this link to see Matraca Berg singing South of Heaven from that UK tour with Gretchen Peters and Suzy Bogguss

you may also wish to see


Music Road: Gretchen Peters: Northern Lights
Music Road: lead and harmony
Music Road: Carrie Newcomer: Before & After
Music Road: Cathie Ryan: Songwriter

-->Your support for Music Road is welcome and needed. If you are able to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

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posted by Kerry Dexter at 11 Comments

Wednesday, May 26, 2010

Road Trip Music in Tennessee

From the blues and Elvis in Memphis to the heartbeat of country and the soul of gospel in Music City through the high lonesome of the Great Smokey Mountains, Tennessee is a state and a people filled with music, and with musical contrasts which yet seem to work together. Right now, middle Tennessee and Nashville are recovering and still hurting from recent major flooding, the worst the area has seen in more than a hundred years. As the Great American Road Trip winds through Tennessee, take a listen to music from two Nashville natives -- and it may not be quite what you’d expect.

















Amy Grant is a fine songwriter -- she has new album out, in fact, and well worth your listening. Her album from a few years back called Legacy...Hymns & Faith will take you deep into the heart of the American South, though. If you grew up in the region, this music played in the background of your daily life, whatever your religious thoughts. If you’re not familiar with the area, listening to this music will teach you more about it.

Matraca Berg is the writer behind many top country hits, and even more songs that make fine album cuts for stars including Patty Loveless, Martina McBride, and Pam Tillis. Her own solo albums such as Lying to the Moon & Other Stories sometimes take a bit of looking for. They are well worth it, filled with great singing and vivid, insightful writing, which is by turns funny, serious, thoughtful, and lyrical.

The Cumberland River winds through the heart of downtown Nashville. Here’s Berg singing Oh Cumberland.




you may also wish to see.
Berg often appears with musical friends Gretchen Peters and Suzy Bogguss as Wine Women & Song

Music Road: Nashville floods -- how you can help
Community Foundation of Middle Tennessee - another way to help Nashville
Music Road: Amy Grant: Mosaic

This is part of The Great American Road Trip, in which I’m partnering up with A Traveler’s Library to add musical ideas to the book and film suggestions for journeys through the regions of the United States which you’ll find there.
For more about the road trip (and a look at some great road songs) see Great American Road Trip: Music begins


UpTake Travel Gem

-->Your support for Music Road is welcome and needed. If you are able to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

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posted by Kerry Dexter at 3 Comments

Tuesday, May 04, 2010

Nashville floods -- how you can help

Nashville is a homeplace, a heartbeat, a crossroads of music.

Many of the artists you travel with here along the music road, American, Canadian, Irish, and Scottish, have spent time in Nashville at one point or another, played their music there, made their homes there. In these last few days, middle Tennessee has been hit by major flooding. The sun is out now, but the rivers are still rising, and help is needed.

here is a story about ways to help

another way

sending our good thoughts out to all in Music City, and especially to the Nashville based artists we've crossed paths with along the way on the music road.

The Schermerhorn, The Country Music Hall of Fame, The Opry complex, and The Opryland Hotel are among those places affected by the floodwaters...

here's a bit of what that's like
in a fine story from the Tennessean's (Nashville newspaper) Peter Cooper, himself a musician. thanks, Peter.



you may also wish to see

another time, another flood, a different song -- but the same hurt



Music Road: Hands Across the Water

Music Road: Bluebird Cafe: a story

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posted by Kerry Dexter at 11 Comments

Monday, December 21, 2009

Jerry Christmas: Jerry Douglas


Jerry Douglas

Jerry Christmas



Jerry Douglas was a bit hesitant when he came to recording Christmas music. The Nashville based musician has played on hundreds of recordings, been part of Transatlantic Sessions for years, and has many other fine musical credits, still, these are classics which many have recorded. Douglas needn’t have been concerned. Jerry Christmas lives up to its title because is just that -- this fine instrumentalist’s unique touch, ideas, and style in service of seasonal pieces, both sacred and secular.

Aside from Douglas doing a ‘scary Santa voice’ on Santa Claus is Coming to Town, there is only one song. Maura O’Connell, who has often worked with Douglas before, lends her voice to Boo Hewerdine’s quiet meditation on sadness and hope, New Year’s Eve, and offers a spot on reading of the bittersweet emotion of the song. Douglas does that too across the music he’s chosen, expressing varied emotion with no words at all on The First Noel, In the Bleak Midwinter, Christmas Time Is Here, and an especially lovely take on Mary, Did You Know? Luke Bulla, Todd Parks, Gordie Trapp, and Doug Belote do an excellent job of supporting and framing Douglas’s work on Dobro, lap steel guitar, and electric guitar. It’s a very fine collection of familiar music made new, played with creativity and grace.

you may also want to see


Music Road: Dave Carter & Tracy Grammer: American Noel
Music Road: Kathy Mattea: Mary Did You Know?
Music Road: now playing: Ottmar Liebert: Christmas + Santa Fe


Consider xupporting Music Road...

You could Buy Me a Coffee at ko-fi.com

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posted by Kerry Dexter at 0 Comments