Boston and Irish: Joe Derrane
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Joe Derrane has a master’s touch and a distinctive voice through his chosen instrument, the button accordion. As the son of Irish immigrants, Irish music is and always has been his base, his source on which to draw and the river of music through which his work flows. On his latest recording, Grove Lane,
That start was 1940s and 1950s (for more about that, check out Susan Gedutis Lindsay's book See You at the Hall: Boston's Golden Era of Irish Music and Dance
Grove Lane
Just as areas in Ireland have their own styles of music, from Donegal to west Kerry to Oriel, so do certain Irish communities in other countries. The Boston area in the United States is one such, and Joe Derrane is a musician whose music is Irish, American, and Boston. The Slate Roof set of reels, the Lost Jigs set of, yes, jigs, and Waltzing with Annie, are especially worth hearing, but odds are you’ll be drawn into listening the whole thing through (and dancing to it too, perhaps) once you start in. The recording was produced by Derrane and acoustic guitarist John McGann, who recorded the tracks over a series of sessions at Derrane’s home on Grove Lane.
side note: There will be concert in tribute to Joe Derrane on 13th November, at which he will appear along with other musicians you’ve met here along the music road including John Doyle, Billy McComiskey, Joanie Madden, and John Whelan. This will be in Fairfield, Connecticut, at the Fairfield Theatre Company, Stage One and begin at 7pm. Contact info@fairfieldtheatre.org
for ticket details. Proceeds from the concert will go to benefit the Shamrock Traditional Irish Music Society of Fairfield.
you may also wish to see
Music Road: Billy McComiskey: Outside the Box
Music Road: Shannon Heaton: The Blue Dress
Music Road: Aoife Clancy: Silvery Moon
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Labels: accordion, boston, Irish American, irish dance music, irish music, joe derrane, massachusetts, usa
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4 Comments:
Your blog always makes me want to make music more a part of my life. This post, in particular, takes me back to my childhood roots, where the music was not so much about the Irish jig but more about the Hillbilly stomp. Similar sounds, though.
The button accordian? So that must be different than a regular accordian. How cool. I'm not familiar--are accordians, well, Irish?
MKES,
there's the button accorsdion and the piano accordion, which has keys like a piano -- and then there's the concertina, sort of a mini button accordion and a whole other thing.
none of them is especially Irish, although they've all been popular in Irish music since the instrument was first invented (France? Germany? I'm not sure) in the mid 19th century. one reason, the accordion is good for dance music, can be heard well over crowds and noise, and a lot of Irish music is, or was originally, dance music. it can also at times be a very quiet and gentle sound, though, as well.
other accordion players to look into include Mairtin O'Connor and Sharon Shannon from Ireland, Billy McComiskey from the US, and Emily Smith and Phil Cunningham from Scotland -- and Chip Dolan, who plays all sorts of Texas music.
I love Joe! Your article was really nice. I'm so glad I figured out how to subscribe via email!
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