Saturday, November 09, 2019

Creative practice: landscapes again




Landscapes are part of what inspires me to create. We are all rooted in them, after all, and paying attention to that, in whatever way that works, often results in creative thought. Two of my own photographs, remind me of landscapes which work in all these ways for me: autumn leaves in Newburyport and winter sunrise in County Louth.

Music to go along with these thoughts:
Have a read of this piece I've written for Wandering Educators, called Geography of Inspiration: Music and Place with music from Caroline Herring, Natalie MacMaster, Dawn and Margie Beaton, Carrie Newcomer, and Hamish Napier.

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Tuesday, January 03, 2012

Winter's journeys and music

Part of the work of winter is change. There are new beginnings, and looking for different horizons. The work of winter also includes quiet, reflection, and meditation, perhaps to integrate the lessons of the turning season, perhaps to find the light to follow those new paths. Music makes a good companion, for whatever directions this early part of a new year is taking you.

Music to go along with these ideasnatick snow copyright kerry dexter
Lee Hunter and Arvid Smith, who as a musical duo are known as Tammerlin, offer
WinterSong. True, it may be taken as a Christmas album, and as the title suggests, a consideration of winter that reaches beyond that celebration too. They include music that is both seasonal and holiday. As well, Hunter reads short selections from Wendell Berry, Annie Dillard, and Henry David Thoreau, well chosen and well read words which stand gracefully among the music, as readings and words serve to illuminate each other.

Padraigin Ni Uallachain, who is a scholar of music as well as a singer, took as her inspiration for Songs of the Scribe lyrics, notes an poetry from scribes and poets of early ireland. There will be more to say about this recording in future. For now, though, you will find it a thoughtful collection which makes a good doorway for reflection whether you understand the words in Irish or not.

Hanneke Cassel is a composer and player of violin and piano whose work is grounded in Scottish traditions with the spice of Americana, bluegrass, and the music of other places she’s traveled. Her album For Reasons Unseen makes a fine companion to winter’s journeys of place and spirit.


the photograph was made early on a snowy morning as I waited for the commuter rail train in Natick, Massachusetts. it is copyrighted, and I thank you for respecting that.

you may also wish to see
Music Road: Celtic Kenya musical connection
Music Road: Song of Solstice: music for changing seasons
Music Road: Cathie Ryan: teaching tradition


Delicious Baby's Photo Friday, where travelers offer new insights to the world each Friday.

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Friday, August 19, 2011

Music and the unexpected

Whether you look first for patterns or for things that break a pattern, you will often find things you do not expect. Perhaps a happy surprise, perhaps a difficult one, perhaps something that is disconcerting, or maybe, joyous. Musicians consider all these things in their work, of course, and there are ways music both fits and breaks pattern, too.

While working at a classical music radio station, I was once asked to play an album by a composer whose work consisted of calling out Pythagorean theorems while playing notes and chords on the piano which he derived from these. That’s one way of thinking about the unexpected and, I’d imagine, creating unexpected experiences for those who heard his work.

hearts in cambridge opyright kerry dexterHis approach wouldn’t be mine. I would, however, suggest these pieces to accompany you on journeys expected and unexpected


Irish guitarist John Doyle has a lively tune called Expect the Unexpected on his album Wayward Son

Americana songwriter Carrie Newcomer looks at unexpected change from varied and at times subtle viewpoints on her album Before & After

A love song that is also a song about daybreak, and about change, Amanacer, from Mexican American songwriter Tish Hinojosa. I first heard it on her album Taos to Tennessee


The unexpected hearts on the brick wall in the photograph caught my imagination one day in Cambridge, Massachusetts.


you may also wish to see

Delicious Baby's Photo Friday, where travelers offer new insights to the world each Friday.

-->Your support for Music Road is welcome and needed. If you are able to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

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Tuesday, August 09, 2011

Long Time Courting: Alternate Routes

Alternate Routes:
that is the name of a tune, a set, and a new album from the band Long Time Courting. It also works to give a hint of the music within, and the routes the four women of the band took to get to it.

The story of Maggie Dean starts things off. Maggie disguises herself as a man to sail away on a ship bound for America, not, as is common in such songs, to follow her man, but rather to seek a trade. She ends up making a life on the sea, not, as is also common in such tales, rescued by becoming the captain’s wife, but rather learning the seafaring trade herself and marrying a fellow sailor. A traditional melody carries this turn on the familiar story in words composed by Shannon Heaton.

long time courting album cover alternate routesHeaton plays flutes and whistles with Long Time Courting. Sarah Blair is on fiddle, Liz Simmons plays guitar, and Ariel Friedman plays cello. All four of the women sing. The New England based musicians also have other commitments from teaching to touring to playing in duos, trios, and other bands, and among them they have worked with artists ranging from the Eagles to the Clancy Legacy.

What they have created with Long Time Courting is not so much a blend of talents as it is a tapestry, with bright threads of voice and instrument weaving in and out, coming to the fore and supporting in the background through a series of musical conversations that comprise both song and tune. LTC is rooted in Irish music, but they bring in American roots and on occasion other threads of music as well. The song Barbara Allen is well known on both sides of the Atlantic and in many different styles. LTC offers it in slowed down form, almost as a lament, with a nod to Johnny Cash as as well as to tradition. It is also a very fine instance of how the women’s singing creates a whole that is more than the sum of its parts.

Their collaboration through their instruments is equally strong The Alternates Routes set, which bookends Heaton’s original title track with two traditional pieces, finds the meeting of rhythm from Simmons guitar, breath of Heaton’s flute and dialogue between the bright sound of Blair's fiddle and the darker tone of Friedman’s cello all carrying the story with no words needed. The York Street Stepper set is another place to note this, as the title tune from LTC founding member Ellery Klein kicks off the journey and weaves in to two pieces from the tradition.

Each of the songs -- there are five of them, including My Johnny Was a Shoemaker, from the tradition, and Islander’s Lament, a contemporary song written by Robbie O’Connell -- offer strong story, engaging voice, great harmony, and thoughtful playing. The six tune sets deliver as well, and all show greater depth which each listening. A well woven tapestry, this, and a thoughtful musical journey, one which reveals more color and depth with each listening.


you may also wish to see

Music Road: Another Fine Winter's Night: Matt & Shannon Heaton
Music Road: The Clancy Legacy
Music Road: Shannon Heaton: The Blue Dress
Music Road: Cherish The Ladies: A Star in the East

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Wednesday, May 11, 2011

Celtic Kenya musical connection

Kenya, Boston, Ireland, Scotland -- there’s connection there, and a connection shown through music in the album Lullabies for Love. Many of the musicians you’ve met here along the music road, along with a few who may be new to you, have joined together to offer you a fine range of Celtic tinged lullabies, to benefit One Home Many Hopes in Kenya.

One Home Many Hopes is an orphanage, but not just another orphanage. It finds, rescues, houses, loves and educates orphaned and abandoned girls in Mtwapa, Kenya and goes beyond that. By the education and love shown them, and the challenges offered, it equips these young women to be agents of change in their community and build for the future, and the present.

lullabies for love celtic cd coverThe work of One Home Many Hopes and the spirit of the young women who live there caught the imagination of Lindsay O’Donovan, who wrote the song Lullabye for Love, and the recording project evolved from there.
Heidi Talbot and Cherish the Ladies contribute the gentle song Castle of Dromore, the Donegal based band Altan offer Dún do Shuil, a lullabye in Irish with a chorus and title whose words mean close your eyes, and award winning fiddle player and composer Liz Carroll offers A Day and an Age. Aoife Clancy adds The Gartan Mother’s Lullabye, while Hanneke Cassel, Ariel Friedman, and Shannon Heaton join O’ Donovan for the title song. Karan Casey, Keith Murphy, Dougie MacLean, Aoife O' Donovan, and Alasdair Fraser are just a few of the other artists who add their music. It’s a project that will bring hours of good listening to your life, and help the lives and hopes of others at the same time.

To hear a bit of the music from the recording, and to see how to purchase your own copy, follow this link Lullabies for Love


There’s a benefit concert celebrating the CD release on 15 May at Club Passim in Cambridge, Massachusetts. The concert is sold out, but wherever you are in the world, you will be able to join in the fun and the music by watching on line through Concert Window. It's set for 4.30 to 7.30 US Eastern Daylight time.


you may also wish to see
Hanneke Cassel: For Reasons Unseen
Shannon Heaton: The Blue Dress
Aoife Clancy: Silvery Moon

-->Your support for Music Road is welcome and needed. If you are able to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

Another way to support: you could Buy Me a Coffee at ko-fi.comIf you enjoy what you are reading here, check out my newsletter at Substack for more stories about music, the people who make it and the places which inspire it.

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Monday, December 27, 2010

Boston Celtic Music Festival on the way

January in Boston is usually a time when the weather is unpredictable, maybe cold, might snow, a time that draws people to think of staying indoors. That plays a part in why the Boston Celtic Music Festival takes place then.

Festival founders Shannon Heaton and Laura Cortese are professional musicians, so they know that touring musicians are often off the road during the depths of winter. Thinking about that, they also saw a chance to create a festival that would bring together musicians of varied Celtic backgrounds who work in and around Boston. In addition to the widely known Irish music community, there are many top players and singers with ties to Cape Breton, Scotland, and other Celtic lands.

It was an inspired idea. The festival, which takes place this year on January 7th and 8th, is going into its eighth season. Over the years, the family friendly event has focused on varied themes, from music featuring Boston to rising young players. This year, Heaton and Cortese, who still serve on the board of the artist run festival, say that events will highlight the connections between players and singers, melody and words. “In our experience, we’ve found the fiddlers, flutists, accordionists and other musicians love hearing good singers and songs – just as singers appreciate musicians who excel at showing their love of the instrumental tradition” says Cortese. “So BCMFest’s point of view is, why separate tunes and songs? Let’s get everyone together and enjoy the whole spectrum of Celtic music.”

tri
long time courting
hanneka cassel copyright kerry dexter

That idea will play out over an opening concert Friday night featuring Long Time Courting, a four woman group which is known equally for fine singing and strong instrumental chops on cello, flute, guitar, and fiddle. That will take place at Club Passim in Harvard Square. Over in Watertown, the Boston Urban Ceilidh will rock the Canadian American Club with likely some of the highest energy and most fun dancing you’ve come across, fueled by music from Cortese, Hanneke Cassel, Kimberley Fraser, and others.

On Saturday, DayFest Stages at Passim and at First Parish Church will include a range of concerts and sessions. Power Ballads, Celtic Style, will be one of the events planned around a theme. Lissa Schneckenburger, Bethany Waickman, and other will be part of Lift Every Voice, the Royal Scottish Dance Company of Boston will take the Sanctuary Stage at First Parish, and Shannon Heaton will present tunes from her album The Blue Dress. At present, about twenty events will take place during DayFest . Further concerts and performers may be added as schedules unfold

The festival will conclude, as has become its tradition, with a concert in the sanctuary of First Parish Church. The members of Halali -- Laura Cortese, Lissa Schneckenburger, Flynn Cohen, and Hanneke Cassel -- will perform, along with a range of special guests yet to be announced.

The Boston Celtic Music Festival lights up winter in New England. Go, if you at all can. More information about tickets, schedules, and performers may be had at the festival’s web site, bcmfest.com


you may also wish to see

The Boston Celtic Music Festival: a look back
Hanneke Cassel: For Reasons Unseen
Another Fine Winter's Night: Matt & Shannon Heaton
Music Road: Best Music, 2010

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Friday, December 10, 2010

Celebrate the season with music

choir in cambridge copyright kerry dexter

celebrate the season with music -- as these small singers are doing in Cambridge, Massachusetts

follow these links to read more on ideas to help you do that

Music Road: Eileen Ivers: Christmas tour & album

Music Road: Cherish The Ladies: A Star in the East

Music Road: trilogy: 2000 Years of Christmas

Music Road: Gretchen Peters: Northern Lights

Music Road: A Tejano Country Christmas

and you may also wish to read about what your favorite artists are listening to this time of year
Music Road: listening to Christmas: Heidi Talbot, Muireann Nic Amhlaoibh, Patty Larkin

Music Road: listening to Christmas: Aoife Clancy, Tommy Sands, Matt Heaton

and visit
Delicious Baby's Photo Friday, where travelers offer new insights to the world each Friday.

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Friday, December 03, 2010

Irish Christmas in America tour

Irish Christmas in America is a show filled with lively fiddle tunes, songs, carols, stories, and dance that share the spirit of Ireland at Christmas. Stories are funny and serious, and so are the songs and tunes. From the anticipation of Christmas Eve through the funny antics of Wren Day, it's all to be enjoyed. Oisín Mac Diarmada of Irish group Téada is the producer and the fiddle player with the tour which includes his bandmates from Téada along with guests including harp player Grainne Hambly and piper Tommy Martin. They've had a number of top notch singers over the years they've been going, among them Cara Dillon, Muireann Nic Amhlaoibh, and this year, Seamus Begley.

You may find tour schedules and other information at the tour's website.

As they go into their sixth year, here is a look back an at evening in a very snowy Worcester, Massachusetts, from their first season. The singer that year was Cathie Ryan.


 irish chrisstmas in america copyright kerry dexter
irish chrisstmas in america copyright kerry dexter
irish christmas in america copyright kerry dexter
irish chrisstmas in america copyright kerry dexter
irish christmas in america copyright kerry dexter

irish christmas in america copyright kerry dexter
irish christmas in america copyright kerry dexter
irish christmas in america copyright kerry dexter

















you may also wish to see

Music Road: listening to Christmas: Aoife Clancy, Tommy Sands, Matt Heaton


Music Road: Cathie Ryan: Songwriter


Delicious Baby's Photo Friday, where travelers offer new insights to the world each Friday.

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Wednesday, October 20, 2010

Boston and Irish: Joe Derrane


Joe Derrane has a master’s touch and a distinctive voice through his chosen instrument, the button accordion. As the son of Irish immigrants, Irish music is and always has been his base, his source on which to draw and the river of music through which his work flows. On his latest recording, Grove Lane, you can hear that, and you can also hear other sources and other adventures. All of this, mixed and mastered through Derrane’s Irish roots, his life in Boston's Irish American community, and the rhythm of that community’s dance halls where he got his start.

That start was 1940s and 1950s (for more about that, check out Susan Gedutis Lindsay's book See You at the Hall: Boston's Golden Era of Irish Music and Dance). He made a series of popular recordings in those days. As the halls declined, he switched to other sorts of music, and other ways of making a living. Several years after he thought he’d retired from music, those early recordings were reissued, and he was invited to perform at Wolf Trap, in Virginia, for what he thought would be a one off gig celebrating his history. His music was so well received, though, that a whole new phase of his career began.

Grove Lane is a snapshot of the man well into that phase, enjoying and sharing the enjoyment of creating fresh music as he moves into his eighth decade. There’s a lively collection of reels, jigs, and hornpipes, a barn dance, a schottische, a waltz, and a tango. The music is crisp and clear and imaginative, drawing from Irish dance tradition and clearly carrying it forward as well.

Just as areas in Ireland have their own styles of music, from Donegal to west Kerry to Oriel, so do certain Irish communities in other countries. The Boston area in the United States is one such, and Joe Derrane is a musician whose music is Irish, American, and Boston. The Slate Roof set of reels, the Lost Jigs set of, yes, jigs, and Waltzing with Annie, are especially worth hearing, but odds are you’ll be drawn into listening the whole thing through (and dancing to it too, perhaps) once you start in. The recording was produced by Derrane and acoustic guitarist John McGann, who recorded the tracks over a series of sessions at Derrane’s home on Grove Lane.

side note: There will be concert in tribute to Joe Derrane on 13th November, at which he will appear along with other musicians you’ve met here along the music road including John Doyle, Billy McComiskey, Joanie Madden, and John Whelan. This will be in Fairfield, Connecticut, at the Fairfield Theatre Company, Stage One and begin at 7pm. Contact info@fairfieldtheatre.org
for ticket details. Proceeds from the concert will go to benefit the Shamrock Traditional Irish Music Society of Fairfield.

you may also wish to see
Music Road: Billy McComiskey: Outside the Box
Music Road: Shannon Heaton: The Blue Dress
Music Road: Aoife Clancy: Silvery Moon

-->Your support for Music Road is welcome and needed. If you are able to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

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Tuesday, September 14, 2010

Shannon Heaton: The Blue Dress

The power of melody and love of story are two of the things which drew Shannon Heaton into a professional career in Irish music. Those are qualities which come through Shannon heaton Blue Dressclearly on her album The Blue Dress. On this album, she carries the melodies and tells the stories through her flute. It is an excellent and engaging journey, with new compositions balanced well with fresh views of tunes from the tradition. Heart, creativity, skill, and imagination are all in evidence as she invites listeners in with a set of reels and continues with an creatively arranged take on a pair of polkas. You can hear many stories in The Blue Dress Waltz, a Heaton original that is gracious and thoughtful, and offers a fine connection to a quite different bit of music, the lively Dennis Watson’s set of reels. Heaton generally has a particular person in mind when she’s composing a tune. Nights on Caledonia Terrace is a gently reflective slow air written for restorative conversations with friends at a festival in Ontario, and Frost Place was written for two musical friends, as Heaton writes in her notes, for “their winning combination of shannon fwn copyright Kerry Dexterstellar musicianship and good vibes to all those around them." Though the Boston based Heaton is well known as a fine songwriter and a gifted singer, on this recording she speaks through her flute, offering her melodies, and her stories without saying a word. She is well supported in imaginative arrangements by usual duo partner Matt Heaton on guitar, bouzouki, and bodhran, Long Time Courting band mate Liz Simmons on guitar, Maeve Gilchrist on harp, and Paddy League on bodhran. The power of connection to tradition, the quietness of reflection on slow pieces and the lively step of dance tunes, now and then a dash of humor and a bit of whimsy: these are all in the music Shannon Heaton offers here. Like the vintage satin and lace of the favorite dress which sparked her creative ideas for the project, it is music that will stand the test of time.

You may also wish to see
Music Road: Another Fine Winter's Night: Matt & Shannon Heaton
Music Road: kickstart an Irish music recording
Music Road: Shannon Heaton: Oil for the Chain
Music Road: Lovers' Well: Matt & Shannon Heaton

-->Your support for Music Road is welcome and needed. If you are able to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

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Tuesday, July 13, 2010

kickstart an Irish music recording

Shannon Heaton is a top class flute player, singer, composer, and performer. You’ve encountered her work in Irish music here along the music road before.

Shannon most often performs in a duo with her husband Matt, and with the quartet Long Time Courting. She also has a plan to record a solo flute album. Part of the way she’s financing this is through a Kickstarter project.

Kickstarter is an online method which allows artists of all sorts to raise funds for creative projects, with the stipulation that if the pledge goal set by the artist is not reached within a a short time (in Shannon’s case the deadline is 19 July) then that’s it: the backers who've pledged are not charged anything. So it is a challenge of sorts.

update: The challenge was met, and recording is underway. Stay tuned here along the music road for news about the album. further up date: the CD is out! follow this link for more: Music Road: Shannon Heaton: The Blue Dress




Shannon talks about the project

To learn more about the project, follow that link above. To hear Shannon's music, check out the video below.




you may also want to see
Music Road: Another Fine Winter's Night: Matt & Shannon Heaton

Music Road: Lovers' Well: Matt & Shannon Heaton

Music Road: holiday gift list: Irish music

over at Irish Fireside, Corey and Liam are raising funds for a trip around Ireland by rail this summer.

-->If you'd like to support my creative work,
here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this.Thank you.

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posted by Kerry Dexter at 6 Comments

Monday, May 17, 2010

Patty Larkin: 25


25
Patty Larkin has always been her own woman when it comes to songwriting, creating music that might sound like an old folk song, or a new Latin beat, or a jazz riff, or a pop ballad, or a thoughtful contemporary songwriter piece. She’s also a top notch performer, by turns funny, intense, powerful, and soulful, a brilliant guitarist and a singer always in service of song and idea.

One of the things Larkin did early in her career was play music on the streets around Harvard Square. “You have to catch people’s interest,” she said, “or they move on.” There’s a bit of that ever changing, ever engaging street player idea lingering through the tracks of 25. She lives these days at the edge of the sea on Cape Cod. There's a bit of the ever changing nature of living by the waters present here, as well.

It’s a double CD, with 25 tracks, and it’s the way Larkin chose to mark twenty five years of recording. She picked out songs from across the range of her musical history, well known ones and lesser known ones too. After recording her own singing and guitar, she sent each track out ot one of twenty five friends she had invited to contribute however they wished to the song. Those she invited include Martin Sexton, Greg Brown, Rosanne Cash, Chris Smither, and Jennifer Kimball.

What emerges is, to borrow the words of another songwriter, a festival of friends. “Twenty five years, twenty five love songs, twenty five friends,” says Larkin, and it is, at the core, just that: all the celebrations, questions, changes, and understandings that come along with love explored through words and music and friendship. Notable tracks include Coming Up for Air with Jennifer Kimball and Good Thing with Dar Williams, but there’s a lot to explore here. Take your time..


you may also wish to see

the festival of friends idea is Carrie Newcomer’s
Music Road: Carrie Newcomer: faith and laughter

Music Road: Tish Hinojosa: Aquella Noche

a selection of recommended songwriter cds

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Sunday, February 07, 2010

Lovers' Well: Matt & Shannon Heaton





Lovers' Well



Lovers’ Well is a romantic album, but perhaps not in the way you might at first expect. Matt and Shannon Heaton offer a mix of song and tune, drawn from or based in Irish tradition. The tunes, which include reels, jigs, hornpipes, and a waltz, are all made for dancing, because, as Shannon points out, “dancing together is as sweet as singing together. All the tune sets on the album have love themed titles,” she adds, “and to ensure proper tempos, we worked with dancer and choreographer Kieran Jordan on the material.” Shannon plays flutes and whistles on the tunes, and Matt plays guitar, bouzouki, and bodhran.

The songs all concern love, and as that emotion embraces all shades of dark at light at times, so do the songs. There’s Lily of the West, with Shannon taking the lead on a song where jealousy and murder play a part, while Matt sings lead on Lady Fair, a version of the broken token song in which two lovers reunite after a long separation and the woman does not at first recognize her man. Where Moorcocks Crow is an enigmatic song of love at first sight, and in Botany Bay a husband bids farewell to his wife and children. Golden Glove finds the bride to be falling for the best man, and Lao Dueng Duen, a Thai song honoring Shannon’s time in Thailand and with a bit of an Irish arrangement is a piece from the tenth century in which a lover serenades his young woman -- and the way the Heatons do it, it both respects the song's origins and fits right in with the rest of the music on the album. Through all the songs, the Heatons’stellar harmonies add depth and beauty to the songs, as well.

“We dug deep to find material which explored both the highs of being in love and some of the darker aspects,” Shannon says. For the song Golden Glove -- that’s the one where the bride falls for the best man-- Shannon added a chorus which brings a touch of realism to the otherwise giddy story of courtship in the song--and which also, she points out, “sums up the different parts of the album: 'Deep is the lover's well, Higher than Heaven and Darker than Hell.'"

That might lead you to think things get rather grim in the music, but that’s not the case at all. Straightforward, rather, and endlessly intriguing. Much love went into the creation of the recording, too, as Shannon explains. “This project had a clearly defined mission statement from the beginning: to represent different aspects of love.

“Because Matt and I really worked together on the initial concept, and then brought in a team of people to help us bring it to life... people we love and trust, musically and personally --it was very much a labor of love for us, from the rehearsal and recording process to the material itself. We worked with our friend and producer/engineer Eric Merrill, dancer and choreographer Kieran Jordan, Keith Murphy on mandolin, guitar, and piano, and Dan Gurney on accordion.

“A friend offered us a cottage in Wellfleet on Cape Cod for the recording. Before heading down to record, we spent weeks with Eric to prepare material. From initial rehearsals through the week of recording, Eric’s holistic musicianship, beautiful engineering, humor and love guided us through the project.

“The result of our rich traditional material -- much adapted, but hopefully still intact in its musical and emotional intent -- our loving creative team of Eric and Kieran, and the forest home in which we recorded was a thoughtful, natural, and sweet working process. Because some of the tracking was done at night and even outside on the porch, the tracks have an organic nature about them — cricket chirps, bird calls, rain on the roof all made their way into the microphones.” That care and connection, and the deep well of musical experience and respect for both tradition and innovation which the Heatons and their musical friends bring to the work, create an experience which both honors Irish tradition and extends it in a natural and graceful way.

And if Irish tradition isn’t your thing, you really don’t have to know anything about it to enjoy and appreciate this music. If you and your valentine have a taste for fine singing, excellent flute and guitar playing, creative approaches to acoustic music, and thoughtful choice of material, Lovers’ Well could be the perfect soundtrack to your Valentine’s Day celebration.

you may also want to see

Another Fine Winter's Night: Matt & Shannon Heaton

Matt & Shannon Heaton: Blue Skies Above

Shannon Heaton: Oil for the Chain

by Kerry Dexter

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Wednesday, February 03, 2010

Great American Music Trip: Massachusetts

The Great American Road Trip over at A Traveler's Library is in Massachusetts, particularly an area near the sea coast town of Gloucester. The music of the sea, and the lives of those who live by it, inspire music of all sorts. Two modern day musicians take a look at the seafaring past of Gloucester, both serious and funny, in the album Souls of the Sea.

From Gloucester to the Apalachee Bay, from North Uist in the Outer Hebrides of Scotland to the China Sea to the Straits of Magellan to Galway Bay and back again, and all seashores and waters in between, there’s great music and inspiration for music in and on the water.

for more music of the waters in America, Ireland, and Scotland, you may also want to see
Music Road: Oceans & Journeys: Road Trip in Maryland

Cathie Ryan: The Farthest Wave

Dual: Julie Fowlis & Muireann Nic Amhlaoibh

and to learn about the Great American Road Trip and the musical ideas I'll be adding to the journey, you might want to see this: Great American Road Trip: Music begins






-->Your support for Music Road is welcome and needed. If you’d like to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

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Wednesday, December 30, 2009

Boston Celtic Music Festival on the way


Ireland, Scotland, Cape Breton -- the Boston area has long been a place where these Celtic traditions not only flourish on their own but meet each other. All that is celebrated in the Boston Celtic Music Festival, coming up this year on January 8 and 9. Two events on the Friday kick things off, a concert at the historic Club Passim in Harvard Square, and the Boston Urban Ceilidh, a sort of Celtic dance meets mosh pit high energy fling that’s become a legendary evening of fun, held this year at Springstep in Medford Square. The ceilidh will still be going when the concert’s done, so no need to choose if you’d like to check out both. The festival continues on January 9 with day time performances and workshops at four stages located in Club Passim and at nearby First Church of Cambridge. First Church will also host the BCMFest Finale Concert on Saturday night, which will include performances by Irish singers and players the Makem and Spain Brothers and Cape Breton fiddler Kimberley Fraser.

Over its six year history, BCMFest has emphasized differing themes, ranging from music about the Boston area to Celtic dance to rising young musicians. This year, core traditions is the central idea. In keeping with that, at the Boston Urban Ceilidh one of acts will be a special one-of-its-kind ensemble that will recreate the classic Dudley Street Boston Irish Dance Hall Era from the 1930s to 1950s -- and you can also expect Scottish fiddle meets rock from Laura Cortese and friends. Both of those, in a way, are quite in keeping with the core tradtions of how Celtic music grows and changes.

During the Day Fest on Saturday, there will be plenty of opportunity to participate, with Irish and Scottish music sessions, a performer makeover session for artists seeking advice, and several singing sessions. At these sessions and at workshops and at the concerts, you will hear many fine performers including guitarist Flynn Cohen, the trio Triptych which includes fiddler Laura Risk, bodhran player Paddy League, and dancer Kieran Jordan, Adirondack style fiddle player Cedar Stanistreet, Irish singer Bridget Fitzgerald as part of the recently formed group Bento Boxty, and Cape Breton style band Tri.

BCMFest sprang from a conversation between fiddler Cortese and flute player Shannon Heaton. "During its first six years, BCMFest has reached out to the area's Celtic music community, through the festival as well as events during the year, such as the monthly Celtic Music Monday series at Club Passim and our annual music cruise in Gloucester,” Heaton says of the artist run festival. “Every year we've seen more and more musicians, singers and dancers come up with great ideas and collaborations.” Every year, too, the festival has seen growing audiences and increased appreciation for the music and traditions the artists share.

There’s more information about schedules, tickets, directions to venues, and performers at the festival's web site.

you may also wish to see
Another Fine Winter's Night: Matt & Shannon Heaton

Boston Celtic Music Festival on the way

The Boston Celtic Music Festival, 2008

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posted by Kerry Dexter at 1 Comments

Monday, December 21, 2009

Another Fine Winter's Night: Matt & Shannon Heaton





Music from the 12th century to the 21st filled the air as Matt and Shannon Heaton brought their mix of new and traditional holiday music to Club Passim in Cambridge, Massachusetts last week. Opening with the familiar carol It Came Upon the Midnight Clear and closing with a set that mixed Irish music and Elvis, it was a seasonal celebration well enjoyed by performers and audience alike.









The pair offered music from their holiday album Fine Winter’s Night, including the title track, an original by Shannon which invited thinking about the meditative quality of the season. First Snowfall of December is a song Matt wrote, painting a picture of a Christmas encounter in Boston in an earlier time. There were jigs and reels as well, including a set enlivened by the addition of dancer Nick Gariess. The gentle Julius the Christmas Cat paid tribute to an often unsung Christmas hero, while Fisherman’s Lullaby was an uplifting song of hope mixing African American and Irish traditions. The Wexford Carol reaches across time to Ireland in the twelfth century. Scottish songwriter Emily Smith’s Winter Song paired with an instrumental take on In the Bleak Midwinter proved a fine addition to this year’s concert. Then there was the Elvis connection -- Blue Christmas reinvented --as a lively closer



A fine winter’s night indeed. The Heatons are home from their holiday concert tour now, but if you couldn’t make one of the shows, there’s still the recording. It’s one of those seasonal albums that holds resonance long beyond the holiday, too.

more about the album here
Music Road: Matt & Shannon Heaton: Fine Winter's Night



and here is a video of another new song added this year, Matt's Christmas Eve with You which you will find on Matt's children's album Snow Day



you may also want to see

Music Road: third week in advent

Music Road: 6 of the best Christmas Songs

Music Road: Shannon Heaton: Oil for the Chain

-->Your support for Music Road is welcome and needed. If you are able to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

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posted by Kerry Dexter at 6 Comments

Thursday, May 29, 2008

now playing: Souls of the Sea


Souls of the Sea




The sea has its own music, both the music of the waters themselves and of those who live and work along its borders. Gloucester, Massachusetts, is a town whose heart beats with the sea. Allen Estes and Frank Tedesco have heard that beat and transformed it into song (and more recently, a stage play as well). Those who work out on the waters, those who wait for them, those who face the sea's challenges and dangers and survive, those who don’t, and those who wait for them, love them, sometimes lose them, and survive, are all part of the music here. Not With Your Hands is hearty and optimistic, for example, while Anchor Blues is funny and sarcastic, and East of the Sunrise is graceful and thoughtful. Souls of the Sea comprises a dozen original songs which draw from country, folk, and blues sounds and always, the work, and the life, and the love of the sea. Part of the proceeds from the project go to organizations which assist fishermen and their families. If you are planning to go down to the seas this summer, this is one to listen to, before and after.


Another original and very different look at the sea through music
now playing: Jennifer Cutting & the Ocean Orchestra

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Wednesday, August 22, 2007

creative practice: opposite action



Opposite action. That's when you consider what you'd usually do in a situation, and then do the opposite. A friend (you know who you are) mentioned this idea to me a few years ago when I didn't much take it in. It's a thought--and even if one doesn't carry through with the action, the thought may open up new ideas. It just may be how most art gets created, too.

Sparked in part by the previous post, posted in the middle of August and accompanied by a shot of snow along the Bow River in Alberta in winter. This photo is Natick, Massachusetts, in February.

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Monday, July 30, 2007

creative practice: music & cooking



I was having a conversation a while back with a friend who is a musician, and we were both struck by how much music and cooking are both about imagination, about sharing, and about making space.

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Wednesday, July 18, 2007

now playing: Hanneke Cassel (video)





A few posts back we spoke of Hanneke Cassel. She's a very fine fiddle player and composer, and the former US Scottish national fiddle champion -- and an amazing player to see live. This video is from a gig at the historic Club Passim in Cambridge, Masschusetts, in May of 2006.

For some reason the embed function doesn't seem to be working consistently.
here's the link, too


for many other fine (and some unexpected) music related videos, check out Fred Bals' blog Series of Tubes to which he's invited me to contribute, as well

Cassel sings harmony (though isn't on camera) in this Cathie Ryan video there, too.

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posted by Kerry Dexter at 0 Comments