Wednesday, September 29, 2010

Music Road Trip in North Dakota & South Dakota

Plains, grasslands, rugged hills, wide open spaces -- North Dakota and South Dakota are both all of that, each in their own way. As the Great American Road Trip winds through these states which are both Northern and Western, take a listen to three albums by artists connected to this land.

Celeste Krenz hails from North Dakota. Though her musical career has taken her to Colorado, Nashville, and points beyond, to a partnership in a record company and to a duo project called The Rhythm Angels, it was to North Dakota that her thoughts returned while working on the music for what would become her album My Mother and Me. Her mother, who has made a career in business, had written lyrics years ago and brought them along on a visit to her daughter. At Celeste’s kitchen table, they worked out a batch of songs that contains elements of country, blues, folk, and swing. A tinge of that western sky and wide open prairie thread through he songs, too.



Becky Schlegel grew up on a a farm, but she also spent much of her young years traveling across South Dakota playing in her family band. The love of music stayed with her, as she followed her musical path into bluegrass and a move to Minnesota. She’s won just about every bluegrass and country award the northern plains are have to offer, and is beginning to make her mark on the national scene, both as a songwriter and and singer. Her latest album is called Dandelion. If you enjoy the way Alison Krauss and Lee Ann Womack approach their music, you will want to give Schlegel a listen. Dandelion is a fine place to start, and it’s a good soundtrack for South Dakota, too, as Schlegel opens with Anna, a song inspired by her grandmother, and includes songs such as Colorado Line and I Never Loved You Cowboy.


Tom Peterson puts eloquent words and melody to the landscape and lives lived in the northern plains, as well. He doesn’t sing on Dakota Lullaby: Christine Albert and Chris Gage do that, and a fine job they make of it. Gage grew up in South Dakota and got to know Peterson’s songs, and carried a few of them with him as his music took him on many paths. He’s a fine songwriter himself, as is his wife and duo partner, Christine. When someone gave them an old tape of Peterson’s songs, “I felt as though I’d found gold in the Black Hills,” Christine says. They recorded a whole album Peterson’s songs. The songs range from the funny to the somber to the passionate, all grounded in the heart of the northern plains and yet universal in meaning.


you may also wish to see:
Music Road: now playing: Christine Albert: Paris, Texafrance
Music Road: Ian Tyson: Yellowhead to Yellowstone
more music from the road trip

This is part of The Great American Road Trip, in which I originally partnered up with A Traveler’s Library to add musical ideas to the book and film suggestions for journeys through the regions of the United States which you’d find there. The Library is closed now, but I think you will still find the journeys through music interesting.

For more about the road trip (and a look at some great road songs) see Great American Road Trip: Music begins

Are you an artist or music professional who needs a professional biography for your website, or liner notes for your recording project? I can help.


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Sunday, June 14, 2009

Dakota Lullaby: Albert & Gage


Dakota Lullaby


The joyous side of love and the blue side, the thoughtful side, and the funny one, the crazy bits of friendship and the thought provoking ones, the quiet of a northern prairie night and the voices of those who made history there --- you meet all these ideas in Dakota Lullaby, the latest album from Christine Albert and Chris Gage. There are a dozen songs on the disc, varying in melody from swing to folk to country to blues, in tone from raucous to funny to reflective. Though they are outstanding songwriters themselves, Albert and Gage didn’t write the music on this collection. In fact, the songs were written some thirty years ago.

Chris Gage grew up in South Dakota, where he met Tom Peterson and got to know several of his songs. Lives and times and circumstances diverged; Peterson stayed in the Dakotas, while Gage hit the road to play music, first with the Red Willow Band, and later with Roy Clark and Jimmie Dale Gilmore. Albert was meanwhile honing her musical chops as a country and folk singer in New Mexico. Albert and Gage both set a course for the music center of Austin, Texas, where they met and formed a musical partnership and a marriage. Their live sets and their albums mix their own folk Americana country style songs along with well chosen covers of music by writers including Erik Moll, Caroline Herring, Bob Dylan, Buffy Sainte Marie -- and occasionally Tom Peterson. Last year, circumstances worked out that another friend copied some old tapes of Peterson’s songs on to a CD.

“As we listened in the truck late one night I felt like we had just struck gold in the Black Hills,” Albert says. “Song after song, all written some thirty years ago, flew from the speakers right to my heart, and I was a goner for those words, those melodies, that spirit.” It’s a meeting of singers and songs that seems meant to be. Gage’s high energy take on If I Die Tomorrow brings to life a person we have all known, or been, with hints of a Cajun second line in the background of Peterson's prairie imagination. Albert and Gage join up on Cuttin’ a Rug to create vibrant images that could be real, could be a dream, all set to a swing melody that perfectly matches the words. Albert, who does haunting folk vocals better than just about anyone out there, brings those gifts to Those Who Love, a song which balances a lover’s lament and trust in hope framed in the quiet of a a prairie night sky. Then there’s the title song, Dakota Lullaby. It evokes landscapes and people, making the past present and the present past. It’s a cut and a song which deserve to become country classics.

The fine songs and outstanding singing are backed by a varied and interesting support, including harmonica from Mike Stevens, pedal steel from Lloyd Maines, clarinet from Michael Austin, and fiddle from Kenny Putnam.

Songs to think about long after the record is done -- and to laugh, dance, and sing along with while it plays --songs of Tom Peterson by Albert and Gage make an inspired combination, and a lasting one.

you may also want to see

Christine Albert: Paris, Texafrance

Albert & Gage: One More Christmas

Matt & Shannon & Ian & Sylvia

Wilderness Plots: the dvd

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Friday, December 19, 2008

best music, 2008











Songs of heart and spirit, about life in the coal fields of the Appalachians, the western isles of Scotland, the heart of Indiana, the deep south of Mississippi, songs about winter, about love, loss, grief, healing, faith, and questions, answered and unanswered, and many other things are part of what you’ll find in this list of choices for the best recordings of 2008. the links will lead to to further information about each recording. I invite you to take some time with my list, and to let me know yours.

Gretchen Peters: Northern Lights top songwriter reflects on the quieter side of the winter season

Dual: Julie Fowlis & Muireann Nic Amhlaoibh songs in Irish and Scots Gaelic, exploring their connections and differences

Carrie Newcomer: The Geography of Light faith, hope, love, and questions -- and email gone astray


Kathy Mattea: Coal old and new songs about what it means to make a living, and a life, in coal

Caroline Herring: Lantana southern gospel and souhtern gothic both run through Herring’s stories in song

Emily Smith: Too Long Away songs from the tradtion and original songs by Smith illuminate lives and love and time through stories set in southwestern Scotland

Sarah-Jane Summers: Nesta Highland Scotland and Nordic influences meet

Mary Black: 25 years 25 songs a fine trip through Black’s ability to tell true songs and true stories through the years.
several new songs are included as well


Wilderness Plots: the dvd this is actually a dvd but it belongs here. five top songwriters singing songs and talking about creative process

Tish Hinojosa Our Little Planet country and folk with heart integrity, and originality

Capercaillie Roses & Tears Scots trad and originals with groove, beat ,invention, and thought

Heidi Talbot: in love +lighttop notch voice, top notch song selection from Tom Waits to Tim O’Brien


Beth Nielsen Chapman: Prism: the human family songbook songs of the spirit from many places



“Europe is in my blood and Texas is in my soul,” says Christine Albert of her album Paris, Texafrance

barry walsh : the crossing original piano meditations and creations

Hanneke Cassel and Christopher Lewis: Calm the Raging Sea
melodies of familiar hymns on Scottish style fiddle and guitar






you may also like to see

season of grace

listening to Christmas

:best of 2007

-->If you'd like to support Music Road,
here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this.Thank you.

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Wednesday, April 02, 2008

Now playing: Christine Albert: Paris, Texafrance



“Europe is in my blood and Texas is in my soul,” says Christine Albert in the liner notes of Paris, Texafrance. Texafrance is the term Albert came up with to name that deep connection more than a dozen years go when she first started putting that aspect of her heritage and her music on record. In a solo career and as part of a duo with husband and musical partner Chris Gage, Albert writes and sings country, Americana, and folk styles; as a longtime resident of the southwest and specifically of Austin, Texas, the freewheeling openness of those lands comes into her music. So do her ties with Europe. Albert grew up in household where French was spoken as much s English, with a mother from the French speaking part of Switzerland and a grandmother from Paris.

You don’t have to know any of that to appreciate her work on this album, but it may explain her adventurous song choices -- Jesse Winchester and Michael Austin stand alongside Charles Trenet and Edith Piaf. Albert has a unique perspective on this music, a first generation child’s understanding of the parents and grandparents looking back and looking forward, loving home and leaving it for a new place and of the power of music to make and hold that connection. The songs here range from a jazzy opener by Trenet to a close with Piaf’s Hymne a l’amour. In many cases Albert mixes both French and English lyrics on the songs, in a way that completely honors the song and honors her background as well. Imagine a well understood and well loved song moving between two languages and sung under the lone star sky, and you’ve got it. Go take a listen,


more about Christine Albert and Chris Gage


Christine Albert’s web site

-->Your support for Music Road is welcome and needed. If you are able to chip in, here is a way to do that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

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Friday, November 30, 2007

now playing: Albert & Gage: One More Christmas




The first song on this recording, the title cut, came about when Christine Albert learned that her parents were planning to sell their home in New York State and move somewhere to the south. That’s a not so uncommon situation, but the emotions of it are not often spoken of in song. Here, Albert and Chris Gage have made a graceful original Christmas tale out of reflecting on that transition. These two, who are married, each had a thriving independent career before they got together a bit over a decade ago. Together, they make one of the most interesting musical collaborations to come out Texas -- or anywhere, for that matter. The dozen tracks on One more Christmas find them reverent with Must Be Tonight and Un Flambeau Jeanette Isabella, playing with the kids on Little Toy Trains, swingin’ with Mr. and Mrs. Santa Claus, thoughtful with River, and sharing a joyous celebration on Go Tell It on the Mountain. Together they make One More Christmas an evergreen presentation of familiar and less well known holiday music. It’s on the couple’s Moonhouse Records label.

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