Thursday, December 01, 2011

Music for the first week in Advent: candle in the window

There is a tradition in Irish households, in Ireland and through the Irish diaspora across the world, to leave a light in the window on Christmas eve, and at times during other nights in December as well. This is meant to show that the holy family, on their journey seeking shelter that Christmas eve in Bethlehem, would be welcome. It’s also meant to show that Christ is welcome here, and that strangers weary on the road this Christmas season find welcome at this home. The Christ candle, we always called it when I was growing up.

Moya Brennan and Mairéad Ni Mhaonaigh grew up in Donegal, in the north west of Ireland. They went their separate ways into top level careers in music, Brennan playing the harp and singing with the group Clannad and Ni Mhaonaigh singing and playing the fiddle with the band Altan. Each has had success as a solo artist, as well. In this video, they are taking a walk on a winter day in Donegal, and they sing a song Mairéad wrote, called Soilse na Nollaig, which you might translate to English as Christmas lights or December lights. It’s a fine song to hear during this first week in Advent.




Moya and Mairéad recently joined forces with two other childhood friends to form the group T with the Maggies, and they’ve so far released one album. They have done several Christmas concerts in Ireland, so perhaps a holiday album may in future. Music Road: from Donegal: T with the Maggies

you may also wish to see
Music Road: Dual: Julie Fowlis & Muireann Nic Amhlaoibh
Music Road: Cathie Ryan: teaching tradition

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Sunday, February 13, 2011

From Donegal: T with the Maggies

Donegal is in the far northwest of Ireland, a land of sea and mountain, much of it a place where Irish is spoken as often as English, all of it a place where music is respected and loved. Mairéad Ní Mhaonaigh, Tríona Ní Dhomhnaill, Maighread Ní Dhomhnaill, and Moya Brennan all spent time growing up in Donegal, and knew each other in those days. Each has made a top notch career in music, through work with bands, groups, and as solo artists. Over the years they have crossed paths at family twith the maggies at celtic connections 2011 copyright kerry dextergatherings and at festivals, and have thought that they really ought to do something together. Now they have.

From the first notes of the first song at the City Halls Grand Hall in Glasgow, the four women wove a tapestry that included intricate harmonies, soulful lead singing, fine playing, and more than that, connections of deep and long lasting friendship among the artists, and deep and long lasting love for the land, as well. The landscape, the people, and the history of Donegal were all present in the music they shared.

It was a sharing, too, rather like friends telling tales around the fireside. Notwithstanding the slightly formal setting at City Halls, listeners were immediatelymairead ni mhaonaigh at celtic connections 2011 copyright kerry dexter drawn in to become a part of things as well, enjoying the stories, both serious and funny, that the women told, and enjoying the gentle humor as during the course of the evening they joked with each other, as longtime friends do. Appreciating too not only the connection of voices but also the connection through fine playing. Tríona was on keyboards, Moya on harp and on djembe, Mairéad on fiddles, and in the background, Jim Higgins on percussion and Manus Lunny on guitar.

Calling themselves T with the Maggies, Mairéad, Tríona, Maighread, and Moya have made an album, also called T With the Maggies. Music they recorded for that, much of it music from the tradition sung in Irish, formed most of the program for the Glasgow evening. Ceol an Phíobaire, A Stór A Stór A Ghrá, and in English the lively song Wedding Dress were among the songs they offered.

Especially engaging were two songs the women wrote. Mother Song, inspired by the present situation which sees young people emigrating from Ireland again as they have in past days, showed passion in restraint in taking a mother’s view of those things. Domhnach na Fola, the most haunting song of the evening, is a response to the recent release of the findings of the Bloody Sunday enquiry in Derry.

Audience members were on their feet at the end of the concert, calling the artists back for three songs in encore. It was a lovely and lively evening, honoring tradition and carrying it forward, honoring friendship and carrying that forward as well. Chances are, once you’ve heard the album, you’ll want to be putting it on for encore spins, too.



This concert was part of Celtic Connections 2011. Photographs were made with permission of the artists, and are copyrighted. Thank you for respecting this.

you may also wish to see

Music Road: music and hope: Derry
Music Road: Altan: 25th Anniversary Collection
Music Road: Scott-Land at Celtic Connections
Music Road: Cathie Ryan: Songwriter

-->Your support for the work,here at Music Road is welcome and needed.
Here is one way to offer that, through PayPal. Note that you do not have to have a PayPal account to do this. Thank you.

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posted by Kerry Dexter at 11 Comments